Norvic
Philatelics
- GB New
Stamps and Special PostmarksNorvic
Philatelics
- GB New
Stamps and Special PostmarksAfter
the success of 2009’s British Design Classics, 2010 opens
with a look at the classic art of the album cover. For decades the
album sleeve has been the canvas for some of the most
imaginative graphic artists in the world. This stamp issue salutes this
unique art form and celebrates some of the greatest examples, used by
UK artists.
This band of designers and photographers have not only reflected the visual styles of many musical cultures, but have also defined and created them, too. The stamp issue explores some of the most potent graphic images of modern times, many of which have provided a visual soundtrack to people’s lives.
Many of the most significant graphic designers of the last 40 years are represented by this selection of ten iconic album covers.
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Welcome to visitors who have come here from various music magazine sites, blogs etc. If you want to find more about stamp products and how to get these stamps, please visit our page for newcomers.
Set
of 10
self-adhesive stamps: Sheet
1
- strip of 5 Sheet
2
- strip of 5
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Classic
Album Covers
Prestige Stamp Book As usual there are four stamp panes, but with some unusual features. There are two Machin Definitive panes - which are conventionally gummed. There are also two Classic Album Covers panes, which will be bound dacing each other and, we believe, self-adhesive. Pane 3 shows Dusty Springfield on the set of Ready Steady Go! which ran from 1963. Pane 4 shows Blur's Think Tank album cover designed by Banksy. The original artwork sold for £62,400. Note, the Machin panes now show scans of actual stamps which are quite different to the previously issued (sheet) stamps. See our blog for details and enlarged images. |
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Left: Set on first day cover, as laid out by Royal Mail. Right: Prestige stamp book pane on first day cover. (Royal Mail's first day covers are designed for the sets, not for the PSB panes. Almost without fail, PSB panes must conceal part of the cover design.) |
This issue celebrates the work of the album sleeve designer, not the music. Royal Mail began with very extensive research of existing lists and polls of ‘Greatest Album Covers’ in books, music press and the web. This trawl of literally thousands of albums uncovered many that were common to most lists.
The editors of three of the UK’s most influential music publications together with a number of graphic designers and design writers were asked to independently list the most significant album sleeve artwork used on records by British artists.
Royal Mail reviewed all the research to assemble a shortlist of albums that spanned the decades from the 1960s. Some albums could not be included for operational reasons (for instance, designs that were too dark), after final deliberation the ten albums were arrived at.
The stamps and souvenir
sheet
were designed by Studio Dempsey using photography by Andy Seymour.
The sheet stamps
are printed by De La Rue Security Print in gravure.
The self-adhesive stamps are printed in two separate sheets of
25, enabling customers to buy vertical strips of 5 of the same design,
with all-over phosphor. The size is 34mm x 32mm including the
disc.
The souvenir sheet (223 x 188 mm) with
water-activated gum is printed by lithography by Cartor Security
Printing. Souvenir FDC is 324
x
227mm. The stamp size is 34mm x 32mm including the disc.
All images of stamps and postmarks Copyright Royal Mail Ltd 2009 and used with permission.
Copyright and credit details for album covers etc: The Division Bell by Pink Floyd – design by Storm Thorgerson, licensed courtesy of Pink Floyd (1987) Ltd; A Rush of Blood to the Head by Coldplay – design by Sølve Sundsbø; Parklife by Blur – design by Chris Thomson/Stylorouge, photography by Bob Thomas; Power, Corruption and Lies by New Order – Factory 1983, design by Peter Saville, A Basket of Roses by Henri Fantin-Latour, 1890; Let It Bleed by The Rolling Stones – courtesy of ABKCO Records, original cover and liner design by Robert Brownjohn, photo by Don McAllester, cake by Delia Smith; London Calling by The Clash – photograph © Pennie Smith; Tubular Bells by Mike Oldfield – licensed courtesy of Mercury Records Limited; Led Zeppelin IV by Led Zeppelin © Superhype Tapes Ltd. Reproduced by permission of Led Zeppelin; Screamadelica by Primal Scream – Artist: Paul Cannell, Courtesy Primal Scream/Sony Music Entertainment UK Ltd; The Rise and Fall of Ziggy Stardust and the Spiders from Mars by David Bowie – courtesy of Risky Folio Inc. on behalf of David Bowie.
Special
Postmarks
Postmarks available for the day of issue are shown below -
these may not be to scale. Note
the Souvenir Cover FDC was only available with N11586.
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| Ref FD1001 Philatelic Bureau Official Postmark |
Ref FD1002 Oldfield, Keighley, Official Postmark |
Ref FD1002NP Oldfield, Keighley, Official non-pictorial Postmark |
Ref L11572 Isle of Wight* |
Ref L11573 Park Lane, London W1 |
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| Ref L11574 Reading, Berkshire* |
Ref L11575 Engineers Way, Wembley |
Ref L11576 Classic Album Art, London |
Ref L11577 Regal Way, Harrow |
Ref L11578 Britain's Interactive Museum of Popular Music, The O2 arena, Greenwich SE10 |
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| Ref L11579 Wonderful Pirate Radio, Frinton-on-Sea |
Ref L11580 London |
Ref M11584 Plant Street, Cradley Heath |
Ref N11585 Sound, Nantwich |
Ref N11586 Oldfield,
Keighley (As FD1002 but does not include 'First Day of Issue') |
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| Ref N11587 - Music Industries Association, Music for All, Gt Bookham, Leatherhead | Ref N11588 GBFDC Assoc. Bells Lane, Liverpool | Ref W11591 Glastonbury, Somerset* |
Ref L11594 Pink Floyd The Division Bell, Ely, Cambridge |
Ref L11595 Brixton, SW2 |
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POSTMARK
EXPLANATIONS L11572, L11574 & W11591 - Music Festivals at the Isle of Wight, Reading, and Glastonbury. |
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<<<<< Ref L11625 The Rolling Stones, Olympic Studios, London SW13 |
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If you have any questions not answered on this page, or the order form, please email us - and don't forget to tell us which country you are in.
This page updated 4 April 2011 - copyright Norvic Philatelics 2009/10
